Sources for latest episodes

    • Abdul Khabeer, Su’ad. 2018. “Hip Hop Matters: Race, Space, and Islam in Chicago.” City & Society 30 (2): 141–64.

    • Balaji, Murali. 2012. “The Construction of ‘Street Credibility’ in Atlanta’s Hip-Hop Music Scene: Analyzing the Role of Cultural Gatekeepers.” Critical Studies in Media Communication 29 (4): 313–30.

    • Barker, Jade, dir. 2013. “The Man Who Exported Hip-Hop to France.” France 24.

    • Beckman, Jeanette, and B. Adler. 1991. Rap!: Portraits and Lyrics of a Generation of Black Rockers. London: Omnibus Press.

    • Beriss, David. 2004. Black Skins, French Voices: Caribbean Ethnicity and Activism in Urban France. Boulder: Westview Press.

    • Béthune, Christian. 2003. Le Rap: Une Esthétique Hors La Loi. Paris: Autrement.

    • Bradley, Adam. 2023. “Black Folk Musicians Are Reclaiming the Genre,” November 10, 2023.

    • Brun, Bastien. 2015. “Dee Nasty, Premier Des DJ Classiques.” Rfi Musique, 2015.

    • Bynoe, Yvonne. 2002. “Getting Real about Global Hip Hop.” Georgetown Journal of International Affairs 3 (1): 77–84.

    • Charry, Eric. 2023. “After ‘Rapper’s Delight,’ Hip-Hop Went Global - Its Impact Has Been Massive; so Too Efforts to Keep It Real.” The Conversation, June 13, 2023.

    • Centre national de la musique. 2024. Focus Rap: OFF Les Flammes Presentation. CNM.

    • Diallo, Rokhaya. 2023. “French Hip-Hop Is in Turmoil. We Should Look Back to Its Roots.” The Washington Post, December 13, 2023.

    • Dufresne, David. 1994. Yo! Génération Rap. Paris.

    • Durand, Alain-Philippe, ed. 2020. Hip-Hop En Français: An Exploration of Hip-Hop Culture in the Francophone World. London: The Rowman & Littlefield Publishing Group, Inc.

    • Filene, Benjamin. 1991. “‘Our Singing Country’: John and Alan Lomax, Leadbelly, and the Construction of an American Past.” American Quarterly 43 (4): 602–24.

    • Gaunt, James. 2021. “Interview: Beside / B-Side.” Medium, December 21, 2021.

    • Goux, Clovis. 2017. “RIP Jean Karakos.” Red Bull Music Academy, January 25, 2017.

    • Hadley. 2021. “Power Music Electric Revival.” In An OutKast Reader: Essays on Race, Gender, and the Postmodern South. Vol. Vol. 4. University of Georgia Press.

    • Hammou, Karim. 2020. “Chapter One: Forty Years of French Rap: Identities in Crescendo.” In Hip-Hop En Français: An Exploration of Hip-Hop Culture in the Francophone World, edited by Alain-Philippe Durand, translated by Katie B. Angus, 1–15.

    • Harbert, Benjamin J. 2023. Instrument of the State: A Century of Music in Louisiana’s Angola Prison. Oxford University Press.

    • Hershkovits, David, and Janette Beckman. 2023. The New York City Rap Tour.

    • hooks, bell. 2015. “Homeplace: A Site of Resistance.” In Yearning: Race, Gender, and Cultural Politics. New York: Routledge. https://books.google.com/books?id=2u1oNgAACAAJ.

    • Jackson, Lauren Michele. 2019. “The Pop Star: Swinging and Singing.” In White Negroes: When Cornrows Were in Vogue...and Other Thoughts on Cultural Appropriation. Boston,MA: Beacon Press.

    • Keita, David. 1992. “Solo. Le Destin d’une Non-Star.” Radikal.

    • Kenner, Rob. 2021. The Marathon Don’t Stop: The Life and Times of Nipsey Hussle. Simon and Schuster.

    • Keyes, Cheryl L. 2004. Rap Music and Street Consciousness: The Roots and Rhythms of Rap from Its Early Origins to the Twenty-First Century. University of Illinois Press.

    • Krims, Adam. 2000. Rap Music and the Poetics of Identity. Cambridge: Cambridge University Press.

    • ———. 2005. “Foreword: Francophone Hip-Hop as a Colonial Urban Geography.” In Black, Blanc, Beur: Rap Music and Hip-Hop Culture in the Francophone World, edited by Alain-Philippe Durand. Toronto, Oxford: The Scarecrow Press.

    • Latz, Vincent. n.d. “DJ Dee Nasty Biography.” All Music. Accessed May 5, 2024.

    • Mahon, Maureen. 2020. Black diamond queens: African American women and rock and roll. Duke University Press.

    • McCabe, Allyson. 2022. “How Artists and Influencers Set the Stage for Hip-Hop’s Global Rise.” National Public Radio, November 26, 2022.

    • McKittrick, Katherine. 2011. “On Plantations, Prisons, and a Black Sense of Place.” Social & Cultural Geography 12 (8): 947–63.

    • Osumare, Halifu. 2016. The Africanist Aesthetic in Global Hip-Hop: Power Moves. Springer.

    • Patrick, Louis, and Laurent Prinaz. 1990. Skinheads, Taggers, Zulus, and Co. Paris: Table Ronde.

    • Peterson, Richard A., and Andy Bennett. 2004. “Introducing Music Scenes.” In Music Scenes: Local, Translocal, and Virtual, 1–15.

    • Piolet, Vincent. 2017. Regarde Ta Jeuness Dans Les Yeux: Naissance Du Hip-Hop Français 1980-1990. Le mot et le reste.

    • Potter, Russell A. 1995. Spectacular Vernacular: Hip Hop and the Politics of Postmodernism. New York: State University of New York Press.

    • Prévos, André J. M. 1996. “The Evolution of French Rap Music and Hip-Hop Culture in the 1980s and 1990s.” The French Review 69 (5): 713–25.

    • ———. 2001. “Chapter 1: Postcolonial Popular Music in France.” In Global Noise: Rap and Hip Hop Outside the USA, edited by Tony Mitchell. Wesleyan University Press.

    • ———. 2005. “Two Decades of Rap in France: Emergence, Developments, Prospects.” In Black, Blanc, Beur: Rap Music and Hip-Hop Culture in the Francophone World, 1–21. Lanham, Toronto, Oxford: The Scarecrow Press.

    • Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan University Press and University Press of New England.

    • Spady, James G., Samir Meghelli, and H. Samy Alim. 2006. Tha Global Cipha: Hip Hop Culture and Consciousness. Black History Museum Press.

    • Stuart, Forrest. 2020. Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy. Princeton University Press.

    • Susan, Orlean. 1991. “Fab Five Freddy, the Coolest Person in New York.” The New Yorker, June 10, 1991.

    • “The Beliefs of The Universal Zulu Nation.” n.d. Universal Zulu Nation. Accessed June 29, 2026. https:// www.zulunation.com/the-beliefs-of-the-universal-zulu-nation/.

    • Thompson, Deborah J., and Darrin Hacquard. 2009. “Region, Race, Representation: Observations from Interviews with African American Musicians in Appalachia.” Journal of Appalachian Studies 15 (1/2): 126–39v.

    • Wilkins, Langston. 2023. “Everybody Inherits the Hood.” In Welcome 2 Houston: HIp Hop Heritage in Hustle Town, 33–60. University of Illinois Press.

    • Woods, Clyde. 2007. “Sitting’ on the Top of the World: The Challenges of Blues and Hip Hop Geography.” Black Geographies and the Politics of Place, 46–81.

  • Episode Sources

    • Centre national de la musique. 2023. État Des Lieux de La Présence Des Femmes Dans La Filière Musicale. Centre national de la musique.

    • Djavadzadeh, Keivan. 2018. “The Motherfucking Bitch Era: La Transition Hardcore Du Rap Féminin Aux États-Unis.” Mouvements 96 (4): 11–21.

    • djvlad. 2017. Flashback: Sean Price: I Like No Female Rappers. 02:02.https://www.youtube.com/watch?v=Uh7EgqzxuOg.

    • Jennings, Kyesha. 2020. “City Girls, Hot Girls and the Reimagining of Black Women in Hip Hop and Digital Spaces.” Global Hip Hop Studies 1 (1): 47–70.

    • Lorde, Audre. 1979. “The Master’s Tools Will Never Dismantle the Master’s House.” Paper presented at Second Sex. The Personal and the Political.

    • Morgan, Joan. 2000. When Chickenheads Come Home to Roost: A Hip-Hop Feminest Breaks It Down. Simon and Schuster.

    Survivor Support Resources

    The resources below provide confidential advocacy, crisis support, and guidance for survivors and their communities.

    RAINN (Rape, Abuse & Incest National Network)

    https://rainn.org/help-and-healing/for-survivors-of-child-sexual-abuse/

    RAINN offers confidential support options, trauma education, and guidance for survivors and their families.

    National Sexual Assault Hotline (RAINN) 800-656-HOPE

    This hotline provides confidential specialists to help survivors explore options and find local support resources.

    National Sexual Violence Resource Center (NSVRC)

    https://www.nsvrc.org/

    NSVRC provides educational materials, survivor-centered resources, and advocacy tools for communities.

    WAVE (Women Against Violence Europe)

    https://wave-network.org/

    WAVE connects survivors across Europe to local organizations and advocacy networks.